It is difficult to fault, but it doesn’t feel as good as the top three studio albums listed here. They are obviously experimenting and a lot of this works well when compared to ‘ Shaming Of The Sun’, their previous effort.Ī good album with strong songs, but it feels slightly over-produced throughout on the harmonies, where fills and additional instruments detract from their obvious strengths without adding anything significant. This record sounds decidedly edgy in places and provides a deal of engagement and interest. ‘ Go’ opens with their rockiest sound up to that point. Recorded at the point in their career where they are consciously expanding their sound in a number of ways after ten years of successful albums and a distinctive style. This record would be higher placed if they were a lesser band or the competition for the top five was not being occupied by their earlier works. This is probably as close as they get to a classic rock and roll album and is a fine album in its own right. This is mostly on-point folk country rock showcasing their quality vocal harmonies and personal songwriting coupled with a quality backing band and no unnecessary instruments.Ī label change prior to this release resulted in a brighter and tighter sound when compared to their previous album. It has all the same signature songwriting and harmonies, but it seems like they were looking to change their sound and it doesn’t quite have the same originality and creativity as their earlier work, effectively serving to mark the end of their peak period.Ī good solid album which doesn’t risk too much despite a briefly entertaining dalliance with ska rhythm. It has a late nineties feel, with a jaunty up-tempo rocky sound where nothing is wrong. The difference between tracks written by Amy and those by Emily is more evident than on earlier works. They recombined with the producer of ‘ Come On Now Social’, resulting in album with a mixture of trademark folk and funkier, guitar-driven tracks. Not a bad effort given they are thirty years into a career and surely an indication that there may still be more to come. It seems fair to say that the Indigo Girls have a specific sweet spot that may not suit everyone but clearly works for many people given their success and longevity.
Indigo girls songs list plus#
The Indigo Girls have remained true to their sound throughout and their songwriting is consistent over an impressive 30 plus years, but they have not managed to attain the same heights that they positively owned in the early nineties. This opportunity to compile a top 10 albums list was a great excuse to catch up with the entire back catalogue. In particular a tape of ‘ Nomads Indians Saints’ occupied a regular slot on the living room hi-fi of our shared house and remains indelibly hard-wired to this day. It was around 1990 that I first heard them – their exceptional harmonies and emotive songwriting readily differentiated them from most other bands within the folk-rock genre. It was the release of their second album ‘ Indigo Girls’ which launched them into the public recognition and set them onto a path which resulted in a string of albums through the early nineties where they could apparently do no wrong. Amy Ray and Emily Saliers first performed together in high school, but they only named themselves the Indigo Girls in 1985 and released their first album ‘ Strange Fire’ in 1987.
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